In music programs, idol group performances are filmed from different angles using several different cameras, and the various images filmed are shown on different screens. The director chooses the screen of a specific camera and broadcasts it. Through PUFF, this system used by broadcasting stations can be realized using smartphones. On PUFF, content creators are rewarded using two revenue structures; producers can earn revenue through donations or through dividends from ad profits. PUFF has differentiated itself from other platforms by implementing a system for viewer purchases, as a form of media commerce.
We’re independent,and that means everything.We’re independent,and that means everything.
Last year, we attracted investments from SM Entertainment, so we are planning to continuously produce contents with their artists. We are considering strategies to sell paid contents by using idol groups and strategies to attract viewers by using benefits offered to fans. CEO Jeon has been involved in the content sector for more than ten years, producing music records and videos and organizing concert festivals.
[INTERVIEW] Korean creators capable of global growth: Collab Asia CEO
Although most of the views in these categories currently come from Korea, there is potential to attract viewers from around the world. In the case of K-pop content, Collab’s data shows that 20 to 25 percent of views currently come from the US, indicating demand for Korean content overseas. CEO Jeon of Starship Vending-machine said that the KOCCA’s support project has been a big help for R&D-based companies. He stressed that among other things, companies can gain a higher degree of trust and confidence when they succeed in developing something through a government support project. CEO Jeon also added that KOCCA’s support has been instrumental in terms of internal and external networking and promotion. We’re proud co-owners of WPI, the world’s largest network of independent, creatively driven agencies.

Starship Vending-machine provides support for the production of high-quality content by individual broadcasters. The company conducts research on visual computing technologies, such as video synthesis, video editing, and special effects, so that ordinary people can quickly and easily create high-quality videos. We are 아마추어야동 promoting a strategy of increasing "prosumers" who are somewhere between producers and ordinary people. We are also trying to make sure that creators are provided with good tools to produce videos.

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Creating Voice Content with Speechelo:
The company's dedication to high-quality releases and distinct concepts has strengthened its status as a strong advocate for independent creation and a source for exceptional PC game experiences. They champion the underdog, giving fresh ideas a chance to shine, and ensuring that gamers always have something exciting and original to discover. Playism is more than just a publisher; it's a curator of interactive art, and a supporter of the indie spirit. Gil Story is a nonprofit private organization composed of cultural and artistic professionals who create value through public art activities, addressing social issues and creating social impact. Playism is a respected video game publisher, and is known for introducing unique indie gems to gamers across the globe. They are dedicated to video game publishing, carefully choosing titles brimming with innovation, imagination, and engaging gameplay.
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Some independently published books have even garnered enough mainstream clout to be scouted by more established publishers. Most prominently, rising star Baek Saehee first published her bestselling book Feeling Suicidal While Craving Tteokbokki through a crowdfunding campaign. Since then, the book has topped not only indie publishing charts but many mainstream charts as well.
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Although Korea’s independent publishing scene has come a long way, it must now make good on its potential and establish itself with confidence. Accordingly, the act of independent publishing embodies the realization of their dream. Independent publications range from outside-the-box, thoroughly eclectic works to relatively mainstream content. ��Content�� here is in no way confined to the textual medium, but includes imagistic mediums like photographs, illustrations, montages, and more. "Content" here is in no way confined to the textual medium, but includes imagistic mediums like photographs, illustrations, montages, and more. Whether it be writing, designing, printing, distributing or marketing, having your say or directional preference be implemented — or even taken into consideration — is itself a huge merit.